Performance

Nincompoop

Performance · 2021–2023

A choreographic and political proposition shaped by awkward locomotion, comic failure, repetition, and embodied play.

Practice

Drawing on the physical comedy of Monty Python's Ministry of Silly Walks, the choreographic practice centred on exaggeration, awkward locomotion, and cartoon-like physicality. The studio process developed through playful improvisations that distorted everyday walking into eccentric patterns of movement, allowing disproportion, imbalance, and comic timing to become compositional material. Rather than pursuing technical virtuosity, the practice cultivated physical humour through repetition, interruption, and embodied play.

Concept

Nincompoop treats foolishness as a choreographic and political proposition. By embracing awkwardness, exaggeration, and comic failure, the work resists ideals of efficiency, virtuosity, and self-control that often shape both contemporary performance and everyday social behaviour. Instead, it proposes absurdity as a way of unsettling normative expectations of how bodies should move, behave, and be perceived.

Details

Premiere

Bonnie Bird Theatre, Trinity Laban Conservatoire of Music and Dance — 10 July 2023.

Credits

Credits

Choreography & Direction: Attila Andrási

Created with & Performed by: Alize Herzog, Maya Takeda, Kohei Nakatsu & Anna Korzik

Music: AudiophiliacUK

Mentor & Supervisor: Charles Linehan

Clown Workshop Facilitator: Dr Jon Davison

Photography: Asher Studio

Lighting Design: Mickie Mannion.

Choreography & Direction: Attila Andrási

Created with & Performed by: Alize Herzog, Maya Takeda, Kohei Nakatsu & Anna Korzik

Music: AudiophiliacUK

Mentor & Supervisor: Charles Linehan

Clown Workshop Facilitator: Dr Jon Davison

Photography: Asher Studio

Lighting Design: Mickie Mannion.

Support

Support

Supported using public funding by Arts Council England.

Developed with support from the Leverhulme Scholarship and the Trinity Laban Conservatoire Seed Fund.

Supported using public funding by Arts Council England.

Developed with support from the Leverhulme Scholarship and the Trinity Laban Conservatoire Seed Fund.