About
Working across choreography, performance, installation, and movement-based research, he creates poetic choreographic environments where attention, play, and embodied imagination become the primary materials of composition. His work is interested in bodies that exceed representation—where movement unfolds through subtle shifts of perception, humour, atmosphere, and relational encounter.
Working across choreography, performance, installation, and movement-based research, he creates poetic choreographic environments where attention, play, and embodied imagination become the primary materials of composition. His work is interested in bodies that exceed representation—where movement unfolds through subtle shifts of perception, humour, atmosphere, and relational encounter.
Attila graduated from the Budapest Contemporary Dance Academy before continuing his studies at the Salzburg Experimental Academy of Dance (SEAD). He later completed an MFA in Choreography with Distinction at Trinity Laban Conservatoire of Music and Dance, where he was awarded the Leverhulme Arts Scholarship and the Dance Master's Highest Achievement Prize. He is currently undertaking a practice-based PhD at the University of the Arts London, where his artistic practice continues to develop through choreographic research into perception, embodiment, and neurodivergent modes of attention.
Attila graduated from the Budapest Contemporary Dance Academy before continuing his studies at the Salzburg Experimental Academy of Dance (SEAD). He later completed an MFA in Choreography with Distinction at Trinity Laban Conservatoire of Music and Dance, where he was awarded the Leverhulme Arts Scholarship and the Dance Master’s Highest Achievement Prize. He is currently undertaking a practice-based PhD at the University of the Arts London, where his artistic practice continues to develop through choreographic research into perception, embodiment, and neurodivergent modes of attention.
His choreographic works have been presented internationally at festivals, theatres, and independent art spaces including Festival 10 Sentidos, Sismògraf Festival, Resolution Festival, Chisenhale Dance Space, Bonnie Bird Theatre, Lake Studios Berlin, Teatre Municipal de Lloret de Mar, and Performance Art Research Ljubljana. His artistic practice has been further developed through residencies at Roca Umbert Centre d'Arts en Moviment, Lake Studios Berlin, The Creative Garden, Performance Art Research Ljubljana (PARL), and the Temporary Slovene Dance Archive, alongside participation in the Dance Communication Lab within the Beyond Front@ European cooperation project.
His choreographic works have been presented internationally at festivals, theatres, and independent art spaces including Festival 10 Sentidos, Sismògraf Festival, Resolution Festival, Chisenhale Dance Space, Bonnie Bird Theatre, Lake Studios Berlin, Teatre Municipal de Lloret de Mar, and Performance Art Research Ljubljana. His artistic practice has been further developed through residencies at Roca Umbert Centre d’Arts en Moviment, Lake Studios Berlin, The Creative Garden, Performance Art Research Ljubljana (PARL), and the Temporary Slovene Dance Archive, alongside participation in the Dance Communication Lab within the Beyond Front@ European cooperation project.
Alongside his artistic practice, Attila develops choreographic laboratories, workshops, and educational programmes that approach movement as a space for experimentation, embodied listening, and collective inquiry. Since 2017, he has taught internationally at Tanzfabrik Berlin, Independent Dance, EN-KNAP Group, Rambert School of Ballet and Contemporary Dance, Royal Conservatoire of Scotland, Cairo Contemporary Dance School, ChoreoLab Europe, Architectural Association School of Architecture, Pro Dance Oxford, TripSpace London, and through workshops, residencies, and touring programmes across Europe and India. In 2024, he co-curated the Curated Dance Programme at Chisenhale Dance Space, supporting artists through workshops, discussions, and community-centred movement practices.
Alongside his artistic practice, Attila develops choreographic laboratories, workshops, and educational programmes that approach movement as a space for experimentation, embodied listening, and collective inquiry. Since 2017, he has taught internationally at Tanzfabrik Berlin, Independent Dance, EN-KNAP Group, Rambert School of Ballet and Contemporary Dance, Royal Conservatoire of Scotland, Cairo Contemporary Dance School, ChoreoLab Europe, Architectural Association School of Architecture, Pro Dance Oxford, TripSpace London, and through workshops, residencies, and touring programmes across Europe and India. In 2024, he co-curated the Curated Dance Programme at Chisenhale Dance Space, supporting artists through workshops, discussions, and community-centred movement practices.
His choreographic and artistic research projects have received support from Arts Council England, the Leverhulme Trust, the University of the Arts London Research Fund, the European Union's Culture Moves Europe programme, the Hungarian National Cultural Fund, the Hungarian National Dance Theatre, and Trinity Laban Conservatoire of Music and Dance.
His choreographic and artistic research projects have received support from Arts Council England, the Leverhulme Trust, the University of the Arts London Research Fund, the European Union’s Culture Moves Europe programme, the Hungarian National Cultural Fund, the Hungarian National Dance Theatre, and Trinity Laban Conservatoire of Music and Dance.
Across performance, education, curation, and research, Attila continues to cultivate choreographic practices that invite different ways of sensing, imagining, and relating. His work proposes choreography as an ecology of attention—where bodies, objects, atmospheres, and gestures remain open to continual transformation.
Across performance, education, curation, and research, Attila continues to cultivate choreographic practices that invite different ways of sensing, imagining, and relating. His work proposes choreography as an ecology of attention—where bodies, objects, atmospheres, and gestures remain open to continual transformation.
